In each of the photographs there are five women.
Jananne Al-Ani (born ) is an Irish-Iraqi artist. Al-Ani was born in Kirkuk, Iraq in to an Iraqi father and Irish mother. She studied Fine Art at the Byam Shaw School of Art and graduated with an MA in Photography from the Royal College of Art in Al-Ani's photograph Aerial I is a still image from her film Shadow Sites II, which in turn is part of her project The Aesthetics of Disappearance: A Land.
Jananne Al-Ani works with photography, film and video, and has a longstanding interest in the power of testimony and the documentary tradition, be it through intimate recollections of absence and loss or the exploration of more official accounts of historic events.London-based artist Jananne Al-Ani engages with the politics of the image.
In June , the artist Jananne Al-Ani sat down with art historian and curator Massumeh Farhad to discuss some of the ideas explored in Al-Ani’s recent work. The following is the edited extract of the interview.
Excavators - Jananne Al-Ani — Google Arts & Culture
JANANNE AL-ANI: I was born in , in Kirkuk, in the north of Iraq, to an Iraqi father and a British/Irish mother. And I lived there till I was about In each of the photographs there are five women. It's actually the same five women in various stages of veiling. They're actually looking back at themselves. Full article: Landmarks - Taylor & Francis Online
Jananne Al-Ani is a photographer and video artist whose work has explored the representation and conspicuous absence of the human body. Earlier in her career, she created work that depicted veiled women, examining stereotypes of Orientalism and cultural identity. Jananne Al-Ani. Untitled I and II. 1996 | MoMA
Jananne Al-Ani works in photography, film and video, producing bodies of work that explore conflict, loss and displacement and are informed by her research into 'Orientalism' and often characterised by an interweaving of image and personal testimony.
Al-Ani | Jananne Al-Ani in Conversation | Ars Orientalis
Using photography, Jananne Al-Ani explores the popularized image of the Near Eastern woman as a point of departure for examining identity across generations and cultures.
The Aesthetics of Disappearance: Conversation with Jananne Al-Ani
Jananne Al-Ani is an artist, researcher and lecturer working with photography, film and video. She studied Fine Art at the Byam Shaw School of Art and graduated with an MA in Photography from the Royal College of Art. Al-Ani’s early photographic work focuses on the fetishised veiled body in Orientalist painting and photography. Al-Ani | Jananne Al-Ani in Conversation |Ars Orientalis Abstract. marked the 20th anniversary of the Iraq War, an event that casts a long shadow over Jananne Al-Ani’s practice as an artist. This article is an edited transcript of an artist’s talk delivered at the Fast Forward Women in Photography conference held at the Nikola Tesla Technical Museum in Zagreb in November Constructing Identities: Recent Works by Jananne al-Ani Jananne Al-Ani: Yes, to put it crudely, I think one of my roles as an artist is to draw attention to things in the world. Simply saying, “Have another look at this, a closer look.” Massumeh Farhad: But not all artists do that. Jananne Al-Ani: No, but that’s what I’m interested in doing. I’m inviting people to look again at what’s.Jananne Al-Ani - Artists - Edge Of Arabia Jananne Al-Ani Timelines, , Panoramic Video Installation (Detail of brass tray, Iraq, circa , V&A, London) TOWNER. Copyright free photographs of peopleJananne al ani photographs of people gettingPhotographs of natureJananne al ani photographs of people living
Jananne al ani photographs of people |
Jananne Al-Ani is a London-based, Iraqi-born artist working with photography, film and video. |
Jananne al ani photographs of people playing |
Jananne Al-Ani is an artist, researcher and lecturer working with photography, film and video. |
Artistic photographs of people |
Jananne Al-Ani works with photography, film and video, and has a longstanding interest in the power of testimony and the documentary tradition. |
Jananne al ani photographs of people dying |
Some pictures feature autonomous objects in the landscape that are obviously contemporary; others look like archaeological sites, while others still show. |
She Who Tells a Story: Jananne Al-Ani | Broad Strokes Blog ...
Rachel Withers: Jananne, you’ve been working for the last three years on a project that you’ve called The Aesthetics of Disappearance: a Land without People. It comprises both still and moving-image works, and I’d like to invite you to talk about three of the moving-image pieces: Shadow Sites I (), Excavators (), and Shadow Sites II (). Jananne Al-Ani - Darat al Funun
After tackling the fetishisation of the female body in 19th-century Western orientalist art, Jananne Al-Ani shifted her focus towards the representation of.